Want to be a Cannes Winner? Here’s How – Study
As Nigerian nay the sub-region advertising agencies and brand owners crave for the day their wards will go out there on the Cannes global stage and do the brand proud, winning the coveted Canneslions award, a study has shown the most likely way to become a Cannes winner -“Try something annoying”.
“Want a Cannes winner? Try something annoying”. That’s one takeaway from a massive machine-learning analysis of 25,000 Cannes-winning ads from 2011 to 2016 by research firm Ace Metrix, which used natural language processing to measure emotions behind ads that won awards at the Lions Festival of Creativity.
Insight’s Partner, Thinking ahead?
The deployment of machine-learning analysis could also validates the global agency and Nigeria Insight Communications’ global network partner, Publicis Groupe’s decision to stay away from Cannes and other awards for one year and invest the funds in developing its AI coded, Marcel as this investment could help the agency and its network partners in shooting winning campaigns.
The Analysis – Hate & Attention Grabbing
The analysis broke ads into 28 clusters based on emotional characteristics, and found five clusters represented more than 90 percent of Cannes-winning ads. Some of those emotional clusters had a 20 times greater chance of winning at Cannes than an ad picked at random.
Ads deemed annoying by survey respondents made up 20 percent of Cannes winners. These ads are often polarizing and get high “hate” scores from typical viewers who aren’t Cannes jurors, but they do grab attention.
Other ads most likely to produce Cannes winners were those that create a sense of confusion, those that are universally funny, and heartfelt storytelling ads.
If annoyance and confusion seem unlikely to generate sales, that’s because they are, says Ace Metrix CEO, Peter Daboll. “There’s a growing disconnect between brand success and attributes in these shocking and sometimes disturbing Cannes winners,” he says.
That’s one reason Cannes winners rank below average for all ads on key performance indicators marketers most often associate with effectiveness, including watchability, likeability, informativeness and desire (or making people want the advertised product or service) claimed the report by Jack Neff.
Samples from Procter & Gamble, to Unilever etal
If there’s an emotional sweet spot most likely to win both Cannes hardware and customers, it’s “heartfelt storytelling” ads, Daboll says. Ads of this sort include Wieden & Kennedy’s “Thank You, Mom” work for Procter & Gamble Co. and Ogilvy & Mather’s Dove “Sketches” for Unilever.
Ads in the annoying range include Martin Agency’s “Family” for Geico, with a dog licking the plates of a freeze-framed family, described by survey respondents as “weird” and “gross” among other things. Confusion reigned with Cannes winner “First Kiss,” pairing strangers to lock lips for Wren from MullenLowe and Durable Goods.
You played it safe, don’t bother
The existing Ace Metrix customer base of mainly marketers is more interested in their effectiveness metrics than predicting Cannes winners, Daboll says. But he acknowledges the study was designed in part to win agency clients interested in saving on award entry fees by evaluating chances their ads have of winning before they enter.
May help Maximise ROI on Filling Fees
If machine learning really can predict Cannes winners, Publicis Groupe CEO Arthur Sadoun may find yet another use for his Marcel artificial-intelligence system being developed with funds saved by staying away from Cannes and other award shows for a year — maximizing return on entry-fee investment when Publicis returns.
With agency reports: adage.com